Over in the Meadow - A Reflection on What We've Lost from My Favorite Children's Book
My daughter loves reading right now. Mostly she’s obsessed with Curious George; but when I get the chance I read her a little book called Over in the Meadow. If you’re familiar with the dulcet sounds of Raffi in your family, the title of this book may sound familiar. It’s actually an old counting rhyme, listing out a series of meadow creatures from one to ten. I sing it rather than read it, which keeps V pretty entertained.
I’d heard Raffi singing “Over in the Meadow” many times, but honestly never listened to the lyrics other than briefly noting it generally had something to do with crickets and muskrats. So when hunting through the library shelves one day, I was intrigued to find an illustrated version. We brought it home, I cleared my throat (trying to remember exactly how the Raffi goes), and jumped in. Unfortunately we were only a few short pages in when the beauty of what I was reading/singing hit me. I started weeping, couldn’t keep singing, and needed a few minutes to collect myself while a surprised daughter looked on.
Simply put, if you’re not familiar with Over in the Meadow (or maybe even if you are), it’s one of the best pictures of the creational norm, of the way life should be, that I’ve found.
Each verse is quite simple. It starts by mentioning that over in the meadow some animal, or bird, or bug lives. Then it goes on to describe a mother of [insert animal, bird, or bug] instructing her offspring to do whatever it is said animal, bird, or bug does. The offspring respond enthusiastically, agreeing to do whatever it is they ought to do, and in conclusion they do it happily.
Take for example the third verse about bluebirds:
“Over in the meadow, in a hole in a tree,
Lived a mother bluebird and her little birdies three.
‘Sing!’ said the mother.
‘We sing,’ said the three.
So they sang and were glad,
In the hole in the tree.”
This simple ditty portrays the full glory of creation. In the creation, God said to each living thing, “Do this.” The world responded and God looked upon it declaring it good. The turtles dug, the fish swam, the muskrats dove, the bees buzzed, the ravens cawed, and so on and so on. And then each living creature turned to its offspring and repeated God’s command, teaching their young to joyfully do exactly as the Lord had given them to do.
All that is, except for humankind, leading a simple little book like Over in the Meadow to remind me of the full tragedy of the fall. When I sing this book to my daughter, I feel a deep and longing ache. If the frogs know to croak and they know to tell their young to croak, and this is what they were made to do from beginning of the dawn and what they will find joy in doing until the end of all, what is the equivalent for me and my daughter? What is the one word summary I could give her to sum up the very meaning of our existence? That thing which she might do in response to my command which would give her the joy and satisfaction this song describes of life in the meadow finding the natural rhythms of their short lives? In the fall, humanity lost not only its memory of the life-defining command given to us by God, we also lost the joy inherent to that command. “Be fruitful. Have dominion.” This is a command we barely remember and when we do, it often feels bitter in our mouths. Unlike the bees who buzz in response to the millennia old command engrained in their genetic code, we are a lost and disjointed version of life, leading every human generation to ask again what our purpose here is.
I want my daughter to grow up, knowing and feeling the pain of this loss. I want her to look at the animal world around her and to long for a simple obedience to God’s creational command. I want her to hear this song and one day ask me, “Mama, what should I do?”
My favorite verse is the last one. The tenth verse is about fireflies:
“Over the meadow, in a soft shady glen,
Lived a mother firefly and her little flies ten.
‘Shine!’ said the mother.
‘We shine,” said the ten.
So they shone like stars,
In the soft shady glen.”
When I sing this verse, it takes my mind to words far more ancient that Over in the Meadow.
“Therefore, my beloved, as you have always obeyed, so now, not only as in my presence but much more in my absence, work out your own salvation with fear and trembling, for it is God who works in you, both to will and to work for his good pleasure.
Do all things without grumbling or questioning, that you may be blameless and innocent, children of God without blemish in the midst of this crooked and twisted generation, among whom you shine as lights in the world, holding fast to the word of life, so that in the day of Christ I may be proud that I did not run in vain or labor in vain. Even if I am to be poured out as a drink offering upon the sacrificial offering of your faith, I am glad and rejoice with you all. Likewise you also should be glad and rejoice with me.”
Obviously, this mouthful is a lot more wordy than can fit into an eleventh verse of Over in the Meadow. Nonetheless, it’s a solid reminder of the directive that still remains for us fallen and lost children. Obey. For it is God who works in you. Do not complain. Rather shine in this world. Hold on to the word of life. Rejoice and be glad. These are things I can tell my daughter if she ever asks what she, like the animals, birds, and bugs, ought to do.
*I’m guessing there are more than one illustrated version of Over in the Meadow, but I personally recommend the version by Ezra Jack Keats. You may know him as the author and illustrator of The Snowy Day (another personal favorite). His illustrations of this old folk song will not disappoint.
6/25/2019 04:25:18 pm
I read your article about Chinese pastors' wives in CT Women (email). I was very impressed and wanted to say thank you.
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